Orquesta Típica Fresedo in 1922
left to right: Manlio Francia, Osvaldo Fresedo, Juan Carlos Cobián, "Tito" Roccagliata,
Alberto Rodriguez, Francisco Ortega, Leopold Thompson
1922 Victor recordings with Juan Carlos Cobián (piano) and "Tito" Roccagliata (2nd violin)
- 20.04.1922 Firulete Tango Victor BA 43/5 73368-B Galmarini, Raúl
- 24.04.1922 Mi refugio Tango Victor BA 44/9 73368-A Cobián, Juan Carlos
- 26.04.1922 Siete pelos Tango Victor BA 45/9 73367-A Fresedo, Osvaldo
- 08.05.1922 Biscuit Tango Victor BA 54/4 73410-A Cobián, Juan Carlos
- 08.05.1922 Sangre azul Tango Victor BA 57/1 73410-B Francia, Manlio
- 20.05.1922 Snobismo Tango Victor BA 48/1 73367-B Cobián, Juan Carlos
- 23.05.1922 Firpo Tango Victor BA 59/2 73413-A Avilés, Adolfo R.
- 23.05.1922 Lina Tango BA 61/3 73414-A Fresedo, Osvaldo
- 15.07.1922 Mario Tango BA 86/1 73514-B Cobián, Juan Carlos
- 15.07.1922 Gracia porteña Tango Victor BA 87/2 73514 A Merico, Salvador
- 21.07.1922 Elegante papirusa Tango Victor BA 85/4 73508 A Roccatagliata, David “Tito”
- 21.07.1922 Penando Tango Victor BA 88/1 73511 A Fresedo, Osvaldo
- 08.08.1922 Razón 5a Tango Victor BA 89/3 73511 B Bianco, Eduardo
- 11.08.1922 L'adivina Tango Victor BA 98/3 73508 B Cobián, Juan Carlos
- 11.08.1922 La copa del olvido Tango Victor BA 99/2 73506 A Delfino, Enrique Pedro
- 25.08.1922 Los dopados Tango Victor BA 105/3 73552 A Cobián, Juan Carlos
- 25.08.1922 Almita herida! Tango Victor BA 112/2 73558 A Cobián, Juan Carlos
- 25.08.1922 En Galicia hay una niña Tango Victor BA 113/2 73557 A Maciel, Enrique
- 25.08.1922 El cisne Tango Victor BA 115/2 73558 B Rizzuti, José María
- 28.08.1922 Sollozos Tango Victor BA 104/5 73517 A Fresedo, Osvaldo
- 28.08.1922 Beso de muerte Tango Victor BA 107/2 73517 B Pérez Freire, Osman
- 20.09.1922 Peligro oculto Tango Victor BA 116/2 73611 A Loduca, A. A.
- 24.10.1922 Elvirita Tango Victor BA 150/5 73702 A Fresedo, Osvaldo
1922 Victor recordings with José-Maria Rizzuti (piano) and Agesilao Ferrazzano (2nd violin)
- 04.10.1922 Sol y sombra Tango Victor BA 128/2 73611 B Francia, Manlio
- 09.11.1922 Fuego lento Tango Victor BA 155/2 73671 B Francia, Manlio
- 09.11.1922 Ta-te-ti Tango Victor BA 156/1 73671 A Rizzuti, José María
- 15.11.1922 El chinchorro Tango Victor BA 166/1 73672 A Ferrazzano, Nerón
- 15.11.1922 Reflejos Tango Victor BA 167/2 73672 B Dibasto, Julián
- 27.11.1922 De buen agüero Tango Victor BA 170/1 73711 B Piva, Luis - Piva, Humberto
- 27.11.1922 Modulando Tango Victor BA 171/2 73711 A Rizzuti, José María
- 27.11.1922 Por fin solos Tango Victor BA 179/2 73713 A Fresedo, Osvaldo
- 27.11.1922 Qué rubia papa! Tango Victor BA 181/2 73713 B Acuña de Andreoni, Lía
- 28.11.1922 La muñeca Tango Victor BA 172/1 73702 B Rizzuti, José María
- 11.12.1922 Queja campera Tango Victor BA 180/2 73772 A Francia, Manlio
- 13.12.1922 La caprichosa Tango Victor BA 182/2 73786 B Baralis, José
- 18.12.1922 Cabecita rubia Tango Victor BA 189/2 73715 A Pérez Freire, Osman
- 18.12.1922 Chelín Tango Victor BA 186/2 73772 B Ferrazzano, Nerón
- 18.12.1922 Yo te condeno Tango Victor BA 188/2 73715 B Numa Córdoba, Pedro
- 20.12.1922 Hasta Dempsey... no para Tango Victor BA 190/3 73732 A Fernández, Alpidio Bonifacio
- 20.12.1922 Primer amor Tango Victor BA 192/1 73792 A Rizzuti, José María
- 20.12.1922 Qué racha! Tango Victor BA 191/2 73786 A Francia, Manlio
- 20.12.1922 Rico Tango Victor BA 187/3 73732 B Petrucelli, Luis
Julio De Caro mentions in his memories "El tango en mis recuerdos" :
YEAR 1922. MY ENTRANCE TO THE "QUARTET OF MASTERS".
Juan Carlos Cobián, Osvaldo Fresedo, Manlio Francia and Tito Roccatagliata
Juan Carlos Cobián, Osvaldo Fresedo, Manlio Francia and Tito Roccatagliata
had formed their quartet, which when Cobián left, Enrique Delfino would join; later I would
take Roccatagliata'splace; then, Roque Biafore (Roquito) joined Fresedo and I returned for the second time to Montevideo, to the Teatro Artigas and cinemas. It was when Minotto proposed me
to stay in Uruguay, working in his orchestra, which was impossible for me at that time, because I did not want to abandon my interests.
take Roccatagliata'splace; then, Roque Biafore (Roquito) joined Fresedo and I returned for the second time to Montevideo, to the Teatro Artigas and cinemas. It was when Minotto proposed me
to stay in Uruguay, working in his orchestra, which was impossible for me at that time, because I did not want to abandon my interests.
